I will start things off with a short version of the story surrounding the creation of the song "Strange Fruit," one of the most powerful songs in the American musical canon and one which would not have been created if several people had not had the courage to cross over boundaries.
The context of the story is late 1930's New York City, a center of intense musical activity, much of which was segregated by race. Mixed bands were not unheard of, but nightclub audiences were essentially segregated.
In 1938, a man named Barney Josephson created the first self-avowedly integrated nightclub in New York and ironically called it "Cafe Society." Tagline: "The wrong place for the right people."
A interesting group of people gathered around Cafe Society, including white and black intellectuals, political activists, artists and musicians. One of the musicians Josephson hired was Billie Holiday. One of the patrons of the club was Abel Meeropol, a high school teacher, poet, composer involved in leftist politics. Meeropol wrote a poem called "Bitter Fruit" for a NYC Teachers Union periodical. He then wrote a song using the lyrics and changed the title to "Strange Fruit."
.jpeg) |
| Abel Meeropol (Lewis Allan) |
The song was performed a couple of times in a political context, at rallies, but the subject-lynching in the South-was far beyond the scope of what popular music lyrics dealt with (although blues and country music sometimes dealt with more realistic situations).
Club owner Josephson wanted Billie Holiday to sing Strange Fruit and she resisted. To sing this song would be risky for any popular performer. Her record producer at Columbia, John Hammond, hated the song and would not allow her to record it for Columbia Records.
To help Holiday make the decision to sing the song, Josephson said he would create a special environment for its performance: Holiday would close her set with it; the waiters would stop all service; the room would be in darkness except for a spotlight on Holiday's face and there would be no encore. Also, another Cafe Society denizen, Milt Gabler, who'd started Commodore records, named after his record store, Commodore Records, said that he'd record the song.
And so, Billie Holiday sang it, recorded it with Frankie Newton and other musicians from Cafe Society and, amazingly enough, it sold hundreds of thousands of copies and became the song that was probably most closely associated with her.
All the people involved in bringing Strange Fruit onto the American stage took some risk: Abel Meeropol, as a white man, espousing the cause of racial justice by overtly alluding to America's shameful behavior; Barney Josephson, by creating an integrated space and not abiding racist customers and Gabler, in extending himself financially to record the song.
However, it was Billie Holiday who had the most at stake. As a black singer associating herself with such a controversial subject, she was subject to several levels of potential recrimination: owners who wouldn't hire her, negative audience reaction, the possibility of the authorities withholding her cabaret card. Her whole career, in other words, might have been in jeopardy. Holliday had much to lose, but she took the leap. We are all that much richer for the courage that she and the others showed.
Strange Fruit
Southern trees bear a strange fruit,
Blood on the leaves and blood at the root,
Black body swinging in the Southern breeze,
Strange fruit hanging from the poplar trees.
Pastoral scene of the gallant South,
The bulging eyes and the twisted mouth,
Scent of magnolia sweet and fresh,
And the sudden smell of burning flesh!
Here is a fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for a tree to drop,
Here is a strange and bitter crop.
For those not acquainted with the history of lynching in America, there's a article
here that can shed light on it.
.jpeg)